When Phar Lap died suddenly in Menlo Park, California, on 5 April 1932, the grief on both sides of the Tasman was immediate. He wasn’t just a successful racehorse – he’d become a genuine national symbol during the hardest years of the Great Depression, and neither Australia nor New Zealand was willing to let him simply disappear.
What followed was an almost unheard-of decision for the era: rather than burying him, or preserving him in one piece for one institution, his remains were divided between three national collections, each taking a different part of the story.
He has also been immortalised in bronze, honouring both the place of his birth and the place where he became a champion. Other tangible links to his story survive too, among them the float that famously carried him to his legendary Melbourne Cup win.
THE HIDE
Melbourne Museum
Phar Lap’s hide was sent to the Jonas Brothers taxidermy studio in New York, mounted onto a custom-built frame, and shipped back to Australia. It went on permanent display at what is now the Melbourne Museum in January 1933 and has barely left since – it remains one of the museum’s most visited exhibits more than 90 years later.
This is the version of Phar Lap most Australians have actually stood in front of: full-sized, glossy chestnut coat, standing proud in a deliberate, showpiece pose. The museum has built on it over the decades with an extensive collection of race-day memorabilia – winning sashes, his training saddle, his racing shoes, even Harry Telford’s handwritten tonic notebook – that together tell the story around the horse, not just the horse itself.